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The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history

The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history

(Carrier) US composer Keir GoGwilt’s collaborative album uses poetry and atonal music to trace the roots of Spain’s sarabande dance: a fascinating listen, though not easy Classical music aficionados will be familiar with the stately form of the sarabande – a Spanish dance adopted into a languorous and tender musical style favoured by baroque composers such as Bach and Handel. For American composer Keir GoGwilt, however, the sarabande contains something far more radical. On his collaborative project The Zarabanda Variations, he enlists a 10-piece ensemble that combines free jazz with baroque strings and spoken-word poetry to delve into the colonial Latin American roots of the dance before it was popularised in 17th and 18th-century Spain. On first listen, it’s hard to hear how this music could relate to the classical sarabande at all. Scrapes of atonal strings, clattering percussion, guttural vocalisations and sharp whistles create a cacophony of tension throughout, as if mirroring the passionate, whirling energy supposedly contained in the original forms of the dance. In fact, rather than creating a baroque sarabande fusion, GoGwilt’s compositions embrace its lesser-known historical references to produce something entirely new. Continue reading...

The GuardianThe Guardian·Jul 24, 2026
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Bon Dylan review – Justin Vernon’s Bob Dylan covers set brings magic to Wisconsin

Bon Dylan review – Justin Vernon’s Bob Dylan covers set brings magic to Wisconsin

Carson Park, Eau Claire, Wisconsin At his Eaux Claires festival, Bon Iver dazzles with a one-off set dedicated to the folk legend After nearly a decade, Bon Iver’s Eaux Claires music festival returns to Eau Claire, Wisconsin, this year, rekindling an intersection of art, music and nature in the state’s scenic Northwoods area. Co-curated by Bon Iver frontman Justin Vernon and The National’s Aaron Dessner, the festival is a hallmark of collaboration and community in the state’s Chippewa valley, with a lineup this year that includes performances by Vernon and Dessner as well as Aimee Mann, Dijon and Fred Again. This year brings a new location of Carson Park. “Central Park in New York and Carson Park are the top two parks that I know about,” Vernon told locals this spring. “So we’re lucky.” Continue reading...

The GuardianThe Guardian·Jul 25, 2026
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John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour

John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour

BBCSSO/Woods/Wallfisch Signum The late pianist and composer deserves a wider audience for the edgy, lucid soundworld of his compositions John McCabe, who died in 2015, made some important recordings of other people’s music – he championed Carl Nielsen, and his survey of the complete Haydn piano sonatas has held its place in the Decca catalogue for half a century – but when it comes to his own works there are still gaps to be filled. Alongside the Symphony No 2, completed in 1971, the BBC Scottish Symphony Orchestra and the conductor Kenneth Woods here supply the overdue premiere recordings of McCabe’s 2007 cello concerto Songline and his 1978 Symphony No 3. The Symphony No 2 is tense and edgy, musing on the cyclical nature of violence; the cello concerto, its title inspired by ancient Aboriginal pathways, is restless in a different, searching way, which the soloist Raphael Wallfisch captures eloquently. What is striking and gratifying about both is the lucidity of McCabe’s music, its textures remaining clearly defined through writing of enormous colour and scope. The Symphony No 3, Hommages, inhabits a lusher soundworld, densely weaving in nods to Haydn and Nielsen while also looking in other directions – one passage with muted strings and celeste could almost be Shostakovich reimagined by the Strauss of Der Rosenkavalier. Vividly energised and expressive throughout, the performances do all three works justice. Continue reading...

The GuardianThe Guardian·Jul 24, 2026
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Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet

Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet

Royal Albert Hall, London Verdi’s La Forza del Destino felt vital, cellist Jonathan Aasgaard was immaculate in Walton’s Concerto but it was John Wilson’s wizardly conducting through Respighi’s Roman Trilogy that brought the audience to their feet Another Sinfonia of London Prom, another five-star concert. Admittedly this programme of Technicolor masterpieces played into the wizardly hands of John Wilson, a conductor whose respect and enthusiasm for the golden age of MGM is legendary. None of this was movie music, however, and Hollywood panache is only a part of what makes this hand-picked ensemble one of the finest orchestras on the planet. First, there’s that full-fat sound, where every musician is a potential soloist, yet the blend is to die for. Then there’s the parade ground discipline and a willingness to follow Wilson – who seldom lingers – into the very fires of Mordor. The spirit, too, is palpable. Whole sections sway as one, occasionally with broad grins on their faces, such is their delight in the music making. Continue reading...

The GuardianThe Guardian·Jul 26, 2026
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Ken Turner, the 100-year-old artist who flattened a Tesla with a tank: ‘I’m not a revolutionary, I’m a simple rebel’

Ken Turner, the 100-year-old artist who flattened a Tesla with a tank: ‘I’m not a revolutionary, I’m a simple rebel’

The painter, sculptor and performance artist has devoted his life to making art available to the masses. Now with a new exhibition, the centenarian discusses inequality, inspiration, and why he won’t be stopping any time soon ‘Life is short, art long,” says Ken Turner, reading from a book of aphorisms by ancient Greek physician Hippocrates. And he’s half right, really, because at 100 years old – and very possibly the world’s oldest performance artist – art might have been long, but life hasn’t been all that short for him, either. And he has filled those years to the brim with radicalism, experimentalism and a singular dedication to pushing ideas as far as he can make them go. In the 1960s, Turner moved from painting towards a socially conscious form of public art, creating giant inflatable sculptures that visitors could inhabit and interact with decades before immersive art became a thing. He was taught by Fernand Léger, he was mates with John Berger, he made frames for Frank Auerbach and Leon Kossoff. Last year, he drove a tank over a Tesla in a performance meant as a damning indictment of corporate greed and rising fascism. His has been a life of rebellion and revolution, of obstinately following his own artistic path no matter what obstacles he encounters, no matter how much easier it would have been to walk down a more well-trodden one. Continue reading...

The GuardianThe Guardian·Jul 23, 2026
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Elon Musk says Grok Imagine will make ‘historically accurate’ AI adaptation of Homer’s Odyssey

Elon Musk says Grok Imagine will make ‘historically accurate’ AI adaptation of Homer’s Odyssey

The billionaire says the AI-generated film will stay true to Homer’s original, after repeatedly criticising Christopher Nolan’s blockbuster over its casting choices Elon Musk has said his AI platform Grok Imagine will make a “historically accurate” adaptation of Homer’s Odyssey, after the success of Christopher Nolan’s blockbusting treatment which the SpaceX founder has regularly criticised over its casting. In a post on X, Musk said: “Before this year ends, Grok Imagine will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer.” Musk also linked to a post containing a three-minute clip of footage that the user said had been generated from Grok Imagine, showing a scene between Odysseus and the nymph Calypso. Continue reading...

The GuardianThe Guardian·Jul 22, 2026
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